Science of Joy is here.

The sunrise opener. Broken-beat soul-house, jazz Rhodes, live bass, and a groove that wakes the room up smiling before the brain agrees to participate.

The first peak. Jazz-house piano stabs, organ swells, and a stacked chant hook that hits the packed floor like a proof everyone can feel in their chest.

The hips-first crossover. Future-soul groove, jazz guitar, and the science of movement that starts below the waist while the mind is still deciding.

The bass-weight release. Half-time festival drums, distorted brass stabs, and sub pressure that converts stress into kinetic force before the chorus even lands.

The title track. Live brass section, communal chant, Afro-jazz house in full color. The album's emotional center, arrived at as relief without losing a gram of weight.

The open-air groove. Reggae-funk-soul, bass guitar, skank guitar, and late-afternoon light on a block party where the subject is everyone.

The late-night bass seduction. Deep sub, close female vocal, tense synth coil — softness carrying impact, elegant and nocturnal.

The rooftop summit. Global festival house, toms, shakers, wide brass section, and a crowd chant that makes the city skyline feel like it belongs to everyone.

The album closer. Late-night soul jazz, Rhodes, upright bass, brushed drums — the walk home while the groove is still living in the body.